ROSA, Salvator
Italian Baroque Era Painter, 1615-1673 Italian painter, draughtsman, etcher, poet and actor. He was one of the most original artists and extravagant personalities of the 17th century. His most popular and influential works were his landscapes, the wild and mountainous beauty of which contrasted with the pastoral scenes of Claude Lorrain. Yet Rosa also painted macabre subjects, erudite philosophical allegories and grand historical themes; he was, moreover, the most significant satirical poet of the Italian 17th century, and there is a close relationship between his poetry and painting. His earliest biographers, Filippo Baldinucci and Giovanni Battista Passeri, both of whom knew him well, described at length his fiery temperament
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ROSA, Salvator Self-portrait dh52 oil painting


Self-portrait dh52
c. 1641 Oil on canvas, 116 x 94 cm National Gallery, London
Painting ID::  8968 		ROSA, Salvator
Self-portrait dh52
c. 1641 Oil on canvas, 116 x 94 cm National Gallery, London
   
   
     
ROSA, Salvator View of the Gulf of Salerno oil painting


View of the Gulf of Salerno
1640-45 Oil on canvas, 170 x 260 cm Museo del Prado, Madrid
Painting ID::  8969 		ROSA, Salvator
View of the Gulf of Salerno
1640-45 Oil on canvas, 170 x 260 cm Museo del Prado, Madrid
   
   
     
ROSA, Salvator Warrior af oil painting


Warrior af
Oil on canvas Galleria Chigi Saracini, Siena
Painting ID::  8971 		ROSA, Salvator
Warrior af
Oil on canvas Galleria Chigi Saracini, Siena
   
   
     
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     ROSA, Salvator
     Italian Baroque Era Painter, 1615-1673 Italian painter, draughtsman, etcher, poet and actor. He was one of the most original artists and extravagant personalities of the 17th century. His most popular and influential works were his landscapes, the wild and mountainous beauty of which contrasted with the pastoral scenes of Claude Lorrain. Yet Rosa also painted macabre subjects, erudite philosophical allegories and grand historical themes; he was, moreover, the most significant satirical poet of the Italian 17th century, and there is a close relationship between his poetry and painting. His earliest biographers, Filippo Baldinucci and Giovanni Battista Passeri, both of whom knew him well, described at length his fiery temperament

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